How the Bible was written
Short answer
The Bible was written by dozens of authors across more than a thousand years, in Hebrew, Aramaic and Greek. Much of the material circulated orally before being written down, and several books passed through scribes, secretaries and editors. The collection now read as one bound volume formed gradually, through use, and not in a single decision.
- Written by
- Raphael Navarro Schmitt
- Reviewed by
- Maria Luisa Navarro Schmitt
- Published on
- Reading time
- 13 min read
The question “how was the Bible written” usually gets two bad answers. One says God dictated everything word by word to men who merely copied; the other says a committee invented a book and imposed it. Neither describes what the documents show, and neither explains why the Bible contains one author apologising for his own style and another asking that the parchments he left at a friend’s house be brought to him.
What actually exists is far more interesting and far messier: a library produced across centuries, in concrete situations, by authors who sometimes describe their own method inside the text. This article walks through that process — saying, at each point, what is documented, what is reconstructed by scholars and what remains disputed.
A library, not a book
The first adjustment is one of scale. The Bible gathers historical narrative, legal code, poetry, proverb, prophetic oracle, ancient biography, personal letter, circular letter and visionary literature. These are genres that in any other library would sit on different shelves — and that were bound together here by a decision later than the texts themselves.
The distance in time between the two ends is wide enough to separate worlds. The oldest material of the Old Testament and the last writings of the New are separated by more than a thousand years, and a good share of reading difficulties comes from exactly there: someone who reads an eighth-century-BC oracle and a first-century letter with the same expectation of language will find both strange.
It is worth naming the practical consequence, because it runs through the rest of this article: there is no “the author of the Bible” in the singular, and there is no single process of composition. There are processes, plural, and they differ from book to book.
Three languages, three worlds
Most of the Old Testament was written in Hebrew. Some passages — chapters of Daniel and Ezra, and smaller stretches — are in Aramaic, the lingua franca of the Middle East after the exile. The whole New Testament reached us in Koine Greek, the common Greek of the first-century Mediterranean, which is not the literary Greek of the classics but the language of trade, administration and conversation.
Some of the deuterocanonical books were written in Greek from the start; of others, such as Sirach, textual evidence shows there was a Semitic original, and the book’s own prologue describes the work of rendering it. In other words: translation is not something that happened after the Bible was finished. It is part of the composition history of some of the books.
This explains a phenomenon that confuses many readers: expressions that sound strange in English are not badly translated, they are translated. A language carries a way of thinking, and there are Hebrew constructions no European language reproduces without losing something. Every edition you open is the result of thousands of choices about what to preserve and what to give up.
Before writing: what oral transmission is, and what it is not
Much of the biblical material circulated by word of mouth before being fixed in writing, and that holds both for ancient Old Testament narratives and for the sayings of Jesus, which were handed on for decades before the first Gospel was drafted. It is one of the few points on which scholars of very different positions agree.
It is worth undoing the most common misunderstanding. Oral transmission, in a culture that depended on it, is not the game of telephone at a children’s party. It was a craft, with memorisation techniques, fixed formulas, rhythm, repetition and communal control — the group corrected anyone who told it wrong, because that was their archive. Societies like that retained volumes of text that would look impossible to hold today.
And it is worth not exaggerating in the other direction either. Oral transmission is not recording. It preserves the core well and is more flexible in the frame — the order of episodes, scenic detail, the join between one scene and the next. That is one reason the Gospels tell the same scenes in different sequences without any of them being in error: they are working with material that already came organised by criteria that are not chronological.
Who actually held the pen
The image of the prophet writing his own book alone is rare in the text. What the text describes, when it describes anything, is work in pairs: one dictates, another writes, and the second is not an accessory. Scribes were trained professionals, and in the ancient world the secretary who drafted a letter had, in varying degrees, a hand in its formulation.
This is not specialist conjecture: it is recorded inside the Bible, in at least two places where the text stops and reports how it was done. And it is the fact that best explains why books attributed to the same author can vary in style — the hand that writes is not always the same one, even when the voice is.
1And it happened in the fourth year of Jehoiakim, the son of Josiah, the king of Judah: it happened that this word came to Jeremiah from the Lord, saying:
2“Take the volume of a book, and you shall write in it all the words that I have spoken to you against Israel and Judah, and against all the nations, from the day when I first spoke to you, from the days of Josiah, even to this day.
3Perhaps it may be that the house of Judah, upon hearing all the evils that I have decided to do to them, may return, each one from his wicked way, and then I will forgive their iniquity and their sin.”
4Therefore, Jeremiah called Baruch, the son of Neriah, and Baruch wrote, from the mouth of Jeremiah, all the words of the Lord, which he had spoken to him, in the volume of a book.
The passage describes the production of a biblical book from the beginning: the order to write, the summoning of Baruch, and the record that he wrote from the prophet’s mouth. Twenty years of preaching go onto a scroll at once — which means the order of the book is an editorial decision taken after the episodes it contains.
17And they questioned him, saying, “Describe to us how you wrote all these words from his mouth.”
18Then Baruch said to them: “He was speaking with his mouth, as if reading to me. And I wrote in a volume with ink.”
The scene continues with an interrogation about method: they ask Baruch to describe how the words were written, and he answers with the dictation and the ink. It is the most direct testimony the Bible gives about its own material process of composition.
22I, Tertius, who wrote this epistle, greet you in the Lord.
In the middle of the closing greetings, the secretary identifies himself and sends his own. The letter is Paul’s and the hand is Tertius’s — and the fact that he appears by name shows nobody treated this as a detail to hide.
24And similar things as have been comprised in five books by Jason the Cyrenean, we have attempted to abridge into one volume.
25For, considering the multitude of the books, and the difficulty that those who are willing to undertake the narrations of histories find, due to the multitude of events,
The author states that he is abridging into one volume a work in five books by somebody else, and explains why he decided to do it. It is a biblical book describing its own work as an edition of earlier sources, with a declared criterion.
38Therefore, these things were accomplished concerning Nicanor, and from that time the city was possessed by the Hebrews. And so, I will bring an end to my narration here.
39And, indeed, if I have done well, so as to have made an adequate history, this also is what I wanted. But if it is less than worthy, may it be permitted me.
The book closes with an author assessing his own performance and asking indulgence in case the result fell short of what was wanted. No theory of composition that treats the biblical authors as passive copyists can accommodate this paragraph.
The physical support changed what could be read
Before the bound book there was the scroll. A papyrus scroll has a physical limit of length, and that limit conditioned the size of texts: long works were divided into separate volumes, which helps explain why certain books reached us split in two. Consulting a scroll is also slow — you do not open it at an arbitrary point, you unroll to it.
The turning point is the codex: folded and sewn leaves, the format of the modern book. Christians adopted the codex very early and in far higher proportion than the rest of the ancient world, and the consequence is enormous: for the first time it was possible to bind into a single object texts that had previously filled several scrolls, and to locate a passage without running through everything.
The divisions you use to cite a verse are more recent still, and none of them come from the authors. The division into chapters is attributed to work from the early thirteenth century; the verse numbering of the New Testament comes from a printed edition of the mid-sixteenth. They are addresses, created to make reference easier — and that is why a sentence sometimes begins in one verse and ends in the next.
13When you return, bring with you the supplies that I left with Carpus at Troas, and the books, but especially the parchments.
In the middle of a letter, a logistical request: bring the supplies left behind at Troas, and the books, but especially the parchments. It is the most concrete reminder that the biblical texts were produced by people who depended on expensive materials, carried by hand and liable to be left behind on a journey.
How separate texts became a collection
No biblical author wrote knowing he was producing a chapter of the Bible. Paul wrote letters to specific communities with specific problems; the Gospels were written for concrete readers; the prophets spoke to dated situations. The collection came afterwards, and it came first through use: the texts communities read in their gatherings, copied and exchanged among themselves were the ones that consolidated.
There are documented landmarks along the way. A festal letter of Athanasius, in 367, lists the twenty-seven books of the New Testament in the form we know them. Regional councils in North Africa, at the end of the fourth century, approve lists. Centuries later, the Council of Trent, in 1546, formally defines the canon for the Catholic Church, in a context of controversy with the Reformation. Another ancient document frequently cited, the so-called Muratorian fragment, carries a partial list — but its dating is disputed among scholars, with proposals ranging from the second century to the fourth, and it therefore supports less than it is usually credited with.
What those landmarks record, in most cases, is the recognition of something already established by practice, and not a choice made from scratch in a room. That holds for the New Testament, whose core circulated uncontested long before any official list. Where there was real and persistent divergence was at the boundary of the Old Testament — a subject that has its own article on this site.
16And when this epistle has been read among you, cause it to be read also in the church of the Laodiceans, and you should read that which is from the Laodiceans.
An instruction to exchange letters between two neighbouring communities once they have been read. It is the mechanics of the collection forming in real time: a text addressed to one place starts circulating through others, and circulating is the first step towards becoming a common reference.
15And let the longsuffering of our Lord be considered salvation, as also our most beloved brother Paul, according to the wisdom given to him, has written to you,
16just as he also spoke in all of his epistles about these things. In these, there are certain things which are difficult to understand, which the unlearned and the unsteady distort, as they also do the other Scriptures, to their own destruction.
The author mentions Paul’s letters, admits that some things in them are hard to understand, and places them alongside the other Scriptures. Whatever dating one assigns to this letter, it records a moment when Christian writings were already being treated in the same category as the ancient texts.
24This is the same disciple who offers testimony about these things, and who has written these things. And we know that his testimony is true.
25Now there are also many other things that Jesus did, which, if each of these were written down, the world itself, I suppose, would not be able to contain the books that would be written.
The Gospel’s close speaks of the disciple in the third person and uses a plural “we know” — an indication, inside the text itself, that the final drafting passed through more hands than the witness’s. It then declares that the available material was far larger than what was recorded.
How we know what the text said
No original survived. There is no scroll written by Baruch and no sheet on which Tertius took down the letter to the Romans, and this is not a peculiarity of the Bible: there is no autograph of practically any work from antiquity. What exists are copies, and in the biblical case they are numerous — thousands for the New Testament, in Greek and in ancient translations.
The discovery that most changed the picture for the Old Testament was the manuscripts found at Qumran, from 1947 onwards. They pushed the available evidence for several books back by around a thousand years and allowed direct comparison between copies separated by ten centuries. The overall result was considerable stability — with variations, and with cases where the finds agree with the Greek textual tradition rather than the medieval Hebrew one.
Comparing copies is the work of textual criticism, and it is public: critical editions record the variants in notes, in plain sight of anyone who wants to check. The vast majority are irrelevant to meaning — spelling, word order, synonyms. A small set affects the sense of a passage, and a smaller set still involves longer stretches, which modern editions usually flag in a note. None of this is a specialist’s secret, and no Christian tradition depends on denying that it exists.
What is still disputed
An honest article on this subject has to end by saying where there is no consensus — and there is plenty of such ground. The authorship and date of composition of the Pentateuch have been debated for more than two centuries, with positions ranging from the traditional attribution to Moses to models of layered drafting across centuries. The unity of the book of Isaiah is the object of a similar debate. The dating of Daniel divides scholars between a much earlier composition and one in the second century BC.
In the New Testament, the dating of the Gospels varies by decades depending on which author you consult, and the authorship of some letters attributed to Paul is debated on grounds of vocabulary and style. There is also debate about which Gospel was written first and what the others used as a source.
Two honest observations close the point. First: these disputes are about the history of composition, not about the content of the text — nobody disputes what Isaiah says, the dispute is about when and through how many hands it was said. Second: anyone presenting any of these questions as settled, for either side, is announcing a certainty the available evidence does not support.
4Then Moses wrote all the words of the Lord. And rising up in the morning, he built an altar at the base of the mountain, with twelve titles according to the twelve tribes of Israel.
The text records Moses writing down the words he received, and it is one of the supports of the traditional attribution of the Pentateuch. Worth reading while noticing what the sentence claims and what it does not: it speaks of an act of writing at that moment, not of the drafting of the whole set of five books in the form we read them.